#RNP PRE AMP PLUS#

It's the last 10 to 15dB that really uncovers the flaws in amplifier design. Modern opamps-little miracles of the semiconductor age-make the design of decent-sounding preamps up to 50dB, or so, an almost trivial exercise. ) s some info from the FMR site: The Really Nice Pre-amp, the RNP, is a 1/3 rack two channel mic. Basically, what you put into the RNP you get out with very little additional effect. And of course any 002/003/mbox pre, but thats a given. Particularly, there's no variation in the preamp's low frequency response as a function of gain setting. There's very little coloration-no unexpected frequency response peaks and valleys-across the very wide frequency response (125kHz) at every gain setting. The RNP was designed with sonic neutrality in mind without sounding 'clinical' or sterile.

#RNP PRE AMP PLUS#

The RNP possesses all the features you'd expect from a professional preamp: accurate signal metering,1M? input impedance DI inputs, high input level capability (up to +28dBu input), high-capacity phantom power supply, sealed relay switching for invert/phantom functions, gold-plated 12-position gain switch, TRS insert between preamp stage and output driver, +28dBu TRS-balanced outputs, 5k? differential input impedance on mic input, plus features like output muting during phantom engage/disengage and battery or AC mains operation. The RNP is a pair of separate micpres providing up to 66dB of gain at vanishing low distortion levels in a compact 1/3 rack format.

Rnp pre amp